Symbolism in Hedda Gabler :: essays research papers

The mid-nineteenth century realist playwright Alexandre Dumas wrote the following about his drama. IfI can exercise some influence over society if, instead of treating effects I can treat causes if, for example, while I satirize and describe and dramatize adultery, I can find means to force people to discuss the problem, and the law-maker to fiat the law, I shall have done more than my part as a poet, I shall have done my duty as a man.We fatality invent nothing we have only to observe, remember, feel, coordinate, restore.As for basis, the real as for facts, what is possible for means, what is ingenious that is all that can rightfully be asked of us. Along with the realist dramatists of his time, Dumas wrote his plays with a noble mission to ignite social change and to raise social aw arness of a problem or issue through realistic dramatization of his environment. Like Dumas, Henrik Ibsen concerned himself with problems of human behavior and morality in society. And like his pred ecessors, Ibsen used naturalistic writing to exhibit human beings as they really are and as they really behave in the culture of his time. But the reasons why Ibsen was more effective and successful at Dumas objective that was Dumas himself was because he abandoned laughing(prenominal) and acceptable resolutions to his plays, confronted human behavior with honesty and acute observation, often raising disturbing and embarrassing questions, and left out the didactic solutions to the problems in question in favor of offering no solution, leaving his questions open to thought and interpretation. Ibsen saw his wild success as a playwright well before he died, and it was in great part due to his rejection of realist proponents like the emphasis of mainly external detail and his uproar-causing and shocking resolutions to his plays. But in addition and I theorize more importantly, Ibsens triumph was because of his reach ahead of his time and his inclusion of symbolist elements in his dram a. While at the base a naturalist play, the symbols and images in Hedda Gabler bring immeasurable weight and power his naturalistic depiction of a woman constricted by her society and, whether because of this constriction or simply because of her infixed nature, intent on similarly sucking the life out of other individuals. Ibsen did not strive to write a symbolist play. Naturalist drama is often better suited for social change than is symbolist drama.